CV
Blender
Adobe - PS, ID, LR
Affinity
Figma
Unity (learning in progress)
C# (learning in progress)
3DS Max (learning in progress)
ZBrush (learning in progress)
3D Slicer (learning in progress)
Visual:
Scientific Illustration
Graphic Design
3D Modelling
Infographics
Creative Direction
Creative and Visual Strategy Decks
Science Communications:
Grant Support
Narrative Development
Value Propositions
Teaching & Public Outreach
Last Updated September 2026
SELECTED PROJECTS
MIT Science Policy Review
2026
Cover and thumbnail designs for web publication. Illustrated and modeled in Blender 3D.
https://sciencepolicyreview.org/volume-vii-august-2026/
Personal
2025
Bioxel Nodes: https://omoolab.github.io/BioxelNodes/latest/
EMDB Database: https://www.ebi.ac.uk/emdb/
The Visible Human Project: NIH National Library of Medicine
ZHdK Master’s Thesis, Knowledge Visualization
Dermatologische Klinik, Universitätsspital Zürich
2024
This project was done in cooperation with the Dermatologische Klinik, Universitätsspital Zürich.
Prototype: A “Scrollytelling” website page was created to break down the cooperation partner’s multi-drug therapy for metastasizing melanoma to make complex biomedical information more accessible to broader audiences and cancer patients.
ZHdK Master’s Thesis, Knowledge Visualization
2023
Two aesthetic styles that could be used to communicate cancer knowledge to broader audiences were defined: abstract vs. realistic.
ZHdK
UZH Irchel
2023
Personal
2020
WORKSHOP
HLAB
Miyagi-Onagawa, Japan
2024
*Image from HLAB
The workshop focused on “the art of looking,” where students closely examined scientific illustrations. Students put this skill into practice through observational sketching exercises of plant life in the surrounding environment of Miyagi-Onagawa, Japan.
ZHdK
Zürich, Switzerland
2023
This workshop included interactive discussions, in a “debate” style, designed to encourage discourse on how cancer-related topics, such as therapy, should be presented to patients.
Participants were split into two groups and were tasked with defending the use of either calm or ominous aesthetics in the visual communication of cancer. The dialogue of this workshop was used to supplement the thesis: Changing Cancer Perceptions.
OTHER
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